Poet, visual artist, and photographer

Amina Ahmed

Khadija Charif, the Minnesota-based Somali artist, is a poet, visual artist, and photographer. I had the pleasure of first meeting Khadija during a workshop she facilitated over the summer. Not only is she a creative person, but also the kindest soul. Her words were always delivered to enrapture her audience, with such empathy and understanding. This is especially indicative of all of her art forms that explored the intersection of race, gender, mobility, community, and faith. Her photography always left me gasping for breath, because they seemed to always capture the hidden beauties of people, the world, and nature all around us. Khadija now works as the director of marketing and communications of Soomaal House of Art, providing resources for the young generation of artists in the East African community. You can find Khadija on Instagram @blvcknotes!

How were you introduced to the arts? Has it always been something you’ve enjoyed? What’s your “art lore” so to speak?

Khadija Charif: I was introduced to the arts in the quiet moments of my childhood, surrounded by stories shared by elders and the rich patterns of Somali culture. Art wasn’t just something to enjoy—it was ingrained in my daily life, from the poetry of my ancestors to the vibrant textiles and oral traditions. My first attempt at creating came through words, writing poetry as a way to make sense of my world and a way to express myself in a language that felt true to my nature. Over time, this blossomed into a deep appreciation for visual arts and storytelling, and art became both my refuge and my rebellion—a way to preserve, question, and celebrate my heritage.

How do your identities influence your work as an artist?

K: My work is deeply shaped by my intersectional identity as a Somali woman, an immigrant, and an art lover. Each piece I create feels like a conversation between who I am and who I am becoming. My art explores themes of memory, belonging, and resilience, often drawing inspiration from my cultural roots and the strength I see in my community. I find myself reflecting on the dualities of identity—holding on to tradition while navigating modernity—and this tension gives my work its vibrancy and depth.

You are an artist that plays with many different mediums, did these mediums always appeal to you? Do you prefer some over others?

K: I’ve always been drawn to different mediums, but it wasn’t until I allowed myself the freedom to explore that I realized how interconnected they could be. Poetry is the backbone of my practice, but visual arts and mixed media have become integral in expressing what words alone cannot capture. Each medium serves its purpose—painting allows me to explore layers and textures, while photography captures fleeting moments. I wouldn’t say I prefer one over the other; it depends on the story I’m trying to tell and how it demands to be expressed.

What do you hope to accomplish with your art? What emotions do you hope your audience feels?

K: I hope my art becomes a bridge—between generations, cultures, and emotions. I want to challenge narratives while inviting reflection and connection. Whether through a painting or a poem, I aim for my audience to feel a sense of longing and recognition, as if they’ve encountered a mirror to their own experiences. Ultimately, I want my art to evoke a quiet sense of hope, even amidst complexity.

Soomaal House, which has a vibrant community of artists alike, is a key influence among young East African artists today. What is it like being a part of that initiative?

K: Being part of Soomaal House feels like being wrapped in the embrace of a creative kinship. It’s empowering to share space with artists who understand the nuances of our shared experiences, and it has pushed me to dig deeper into my own practice. The collective is more than just a platform; it’s a living archive of East African stories and artistic expressions. The support and collaboration within the community have been pivotal in my growth as an artist. I am grateful for the opportunity to collaborate alongside creatives who seek to grow outside of their mediums and who aim to support each other in their respective journeys.

What do you see for yourself in the future?

K: I see a future where my work continues to evolve and intersect with new mediums and collaborations. I envision curating exhibitions, publishing collections of poetry, and creating spaces where art and community come together. At the heart of it all, I hope to remain grounded—telling stories that honor where I’ve come from while boldly embracing where I’m headed.